The 31-year-old actress Michelle Williams takes on the iconic star Marilyn Monroe in the upcoming film, “My Week With Marilyn,” playing the American iconoclast in the story of her disastrous 1957 experience filming “The Prince and the Showgirl” with Sir Laurence Oliver. By agreeing to capture Monroe at her most bombastic guarded and joyous, Williams took on the massive responsibility of becoming the late actress, both physically and emotionally. Williams told vogue that it was an intense crash course consisting of a multi-media experience of film, books and music.
According to her, she would go to bed every night with a stack of books next to her and fell asleep to movies of her. She said it was like when you were a kid and you would put a book under your pillow hoping you would get it by osmosis. Learning the role, especially such a nuanced one, is the most important aspect for an actress’s performance, but Monroe’s public image was as much tied to her looks as her inner-self. She was a star in a bygone era that celebrated more women’s bodies in more natural shapes, which required the petite Williams to add weight to create those famous curves. As she tells the magazine, the weight went to her face, instead, and so while she learned Monroe’s walk, she had to pad herself hips to acquire the body.
Still, the normally modest Williams felt a certain transformation in her appearance and power in the role. According to her, she does remember one great moment of being all suited up as Marilyn and Walking from her dressing room onto the soundstage practicing her wiggle. She said there are three or four men gathered around a truck and she remember seeing that they were watching her come and feeling that they were watching her go and for the very first time she glimpsed some idea of pleasure she could take in that kind of attention; not their pleasure but her pleasure. In addition, she thought the maybe Marilyn felt that when she walked down the beach.
On an interview with Ellen DeGeneres, Williams was asked if this is something that she has thought, she answered that the thought had never crossed her mind until she read the script and when she does she knew immediately that she wanted to do it she did not have an inkling of an idea of how. Michelle told Ellen she had a picture of Marilyn on her bedroom wall as a child and it was inspiring. She said she had this picture of her wearing a white dress and she was barefoot running through grass in Connecticut. According to her, that was sort of her primary connection to her and that was the Marilyn she loved.
The film will make its world debut at the New York Film Festival. Williams’ new relationship drama, “Take This Waltz,” premiered in Toronto last month though she was not in attendance. Michelle has been into a variety of transformation from the other roles she portrayed on many films but this transformation will weigh a bit more than all of those.
